This is the latest post in an occasional series called These Three Photographs, where I look back at three photographs I’ve made around a similar theme or subject.
You can see previous posts in the series here.
This time around, bicycles.
Generally, bicycles are symbols of great freedom and self-reliance to me.
Far more than a car – one of the more typical symbols of freedom in the modern age, but which I’ve come to find more of a burden to maintain and finance – the bicycle extols simplicity, efficiency and function.
With a bicycle, you can go wherever your heart and mind desires, without relying on any fuel other than your legs to get you there.
And why is it there’s nothing that quite epitomises an idyllic rural life as a girl in a floral dress on a bicycle, with a basket for her belongings and the wind in her hair? Even better if she’s riding through rural Southern France on a fresh summer day.
Now in practice, cycling is not quite so idealistic.
Riding anywhere is pretty hard work, which is why I invested in an ebike two years ago and have been using it for 99% of my work commutes ever since.
Yes, with an ebike there is of course some reliance on electric power – a battery – which does need charging every 40 miles or so. But still, it’s way more frugal, ecological and fun that using a car!
And commuting with the ebike is a major factor why we as a family took my car off the road in late April and have relied on just one car since. Which is easier than we expected, and has already saved us hundreds of pounds.
Plus I do have a non-electric old Specialized hybrid with fat (Frank) Schwalbe tyres that I use when riding with the kids, which is even more fun.
Anyway, on to the three photographs.
This first image is one I’ve made numerous times, attracted most of all to the timelessness of the scene.
It’s at a local steam railway where the signage and outdoor “furnishings” have been maintained as they were in a bygone era. The bicycle, which is often here, is from a similar time, I would guess the 1940s, and fits the scene beautifully.
I’ve often wanted a bicycle this old, bottle green (or British Racing Green) with sprung Brooks saddle and those rod brakes, but never got around to finding one.
The closest I got was a 1980s Raleigh mixte bike last year. Maybe one day.
This bicycle was left in a back street, secured with a cable lock despite the puncture, so I assumed the flat was very recent (especially as it’s not completely flat) and the owner would soon return and find themselves with the option of either repairing it or pushing the bike home.
Though the dent in the rim also suggests the bike had hit something substantial, perhaps the cause of the deflating tyre too.
It also instantly reminds me of the classic Smiths song This Charming Man, with its beautiful ambiguity.
“Punctured bicycle on a hillside desolate,
Will nature make a man of me yet?”
Which also features one of my favourite lines in the whole of Morrissey’s repertoire – “Why pamper life’s complexities, when the leather runs smooth on the passenger seat?”
Oh and this photograph also reminds me of the camera I made it with, a Yashica Electro 35GTN that was very handsome, had a wonderful lens, but alas was just so heavy and cumbersome to use.
The final picture is one of any number I could have chosen.
In the woods behind the fields behind our house, I found a Triumph bicycle, over a decade ago.
So most times I return the woods with camera in hand (which has been plenty this year with restricted travel) I seek out the old bicycle, to see what state it is now in and where it is.
Currently it’s hanging in a tree looking more forlorn than ever, but to my photographic eyes it’s a whole veritable feast of delicious decaying textures and tones.
Hence why it’s featured in so many of my photos this year.
How about you? Do you love bicycles – to ride, to photograph, or both?
As always, please let us know in the comments below (and don’t forget to tick the “Notify me of new comments via email” box to follow the conversation).
Thanks for looking.
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