The first post in this Expired Emulsions series introduced some of the reasons why I love using expired film, and how I use it.
One of my favourites is Ferrania Solaris 200 FG Plus.
When I first got into film photography in mid 2012, my early film purchases were Fuji Superia 200 and 400, bought from a local camera shop. As I read more online, I read a tip off that Poundland here in the UK (discount chain store that sells everything for £1) stocked 35mm film, so off I went to my nearest branch.
Poundland had fresh AgfaPhoto Vista Plus 200 36exp rolls in single packs, and the Ferrania Solaris 200 24exp rolls in twin packs with the expiry date suspiciously blacked out.
I wondered how good a film that was effectively 50p a roll, and obviously expired (hence the doctored packaging) could be, but bought a couple of packs anyway.
It turned out to be one of my favourite, if not my absolute favourite film I’ve ever used, and I managed to stock up maybe 70 or 80 rolls in the following months from Poundland, before they ran out nationally.
Although I’ve used it almost as much as any film (AgfaPhoto Vista Plus 200 aka rebranded Fuji C200 – the other Poundland special – is my most used film), fortunately I still have maybe 30 rolls in my freezer.
Also fortunately, it seems to hold up as well as it did the day I bought that first batch, and shows none of the sometimes unpleasant traits over-expired film can have like excessive grain and washed out colours.
In fact it is colour that the Solaris excels at. I’ve always considered it to be a film that works very well with autumn reds and oranges, but looking back through my archives have found it’s equally pleasing with yellows, blues and greens.
The film is no longer made, though it can still be found knocking around in the usual online places, ie eBay. I’ve also found that some (but not all – Made in Italy is likely Ferrania, Made in USA is likely Kodak) Truprint film (UK photo chain that disappeared from high streets a few years back but remains in business online) is rebranded Ferrania, though I’ve yet to test any out.
If you get the opportunity to use any Ferrania Solaris 200, I would highly recommend it, especially if it’s not too expired (five years ideally, but worth a risk even if a few years older). For the kind of vivid colours I so love about film, it’s in my view as special as anything I’ve tried, and the day my freezer stocks run dry will be a sad one.