My great film adventure began on my birthday in June, 2012, with a Holga 120N and five pack of Ilford HP5 Plus 400. A month later I'd dipped my toe in 35mm, and for almost five years, this was my predominant photography medium. But, since the spring of 2017, I haven't shot a single frame… Continue reading Why I Haven’t Shot Film In Two And A Half Years (And Haven’t Looked Back)
One of the best tips I read when I was fully immersed in film photography was simply “shoot red”. The theory is that anything red looks pretty great when captured on colour film. And on the whole I found this to be very sound advice indeed. (Ironically, with digital, red is one of the hardest… Continue reading Film Photography Tips – Shoot Red!
Returning to using a DSLR this month has reminded me how much more precise one has to be when exposing a digital sensor. It's also made me realise how much easier I had it when shooting film. The vast majority of film I used was consumer grade colour negative film - Fuji C200 and Superia… Continue reading Why Exposure Latitude Makes Film Photography Easier Than Digital
Our recent conversations around grain and noise in photographs yielded some interesting offshoot topics. One of these was around the general standard of digital scans of 35mm film, and how the vast majority of digital images made from film negatives don't give a fair representation of the high quality possible with film, and just how… Continue reading Why Shoot 35mm Film in 2019?
My gradual shift from shooting film to digital was motivated by a number of factors, but a significant one was the size and weight of cameras. The digital compacts I favour these days give me results that are more than good enough, with the bonus of being very small and light. I can walk for two… Continue reading Why A Pentax Espio Should Be Top Of Your Compact Film Camera Wishlist