Our recent conversations around grain and noise in photographs yielded some interesting offshoot topics. One of these was around the general standard of digital scans of 35mm film, and how the vast majority of digital images made from film negatives don't give a fair representation of the high quality possible with film, and just how… Continue reading Why Shoot 35mm Film in 2019?
My gradual shift from shooting film to digital was motivated by a number of factors, but a significant one was the size and weight of cameras. The digital compacts I favour these days give me results that are more than good enough, with the bonus of being very small and light. I can walk for two… Continue reading Why A Pentax Espio Should Be Top Of Your Compact Film Camera Wishlist
Unless you develop and scan black and white film yourself, the costs can be high, and unfortunately put the format out of reach for many of us. But what if there was a far more affordable way to make b/w photographs? When I started film photography with a Holga 120N, everything was unknown, it was… Continue reading How To Make Black And White Film Photographs On A Shoestring Budget
Some 30 months ago, my film camera collection was well out of hand. Obsessed with trying to find the perfect camera (or cameras - one DSLR, one compact), I managed to amass over 50. Many were near identical, either because they were siblings (for example seven of the 11 DSLRs were Asahi/Pentax) or because the… Continue reading To Those Remaining (Part 1) – My Film Camera Collection
My photography journey so far can be described in three stages - 1. Phone cameras taught me the basics of composition and helped me find my favourite subjects. 2. Film photography showed me the fundamental potential and relationship between ISO, aperture and shutter speed. 3. Digital compacts gives me the best balance of pleasure, simplicity,… Continue reading Film Photography’s Lost Lessons #1 – Aperture