How To Get Up Close And Intimate (Part IV) – Dedicated Macro Lenses

It’s a long held belief of mine (and not just as a photographer) that the beauty of life is in the tiny details. So for as long as I’ve been photographing with intention (since around 2006 with Sony camera phones), I’ve been drawn to photographing up close and intimate. This is a short series on… Continue reading How To Get Up Close And Intimate (Part IV) – Dedicated Macro Lenses

How To Get Up Close And Intimate (Part III) – Macro Extension Rings

It's a long held belief of mine (and not just as a photographer) that the beauty of life is in the tiny details. So for as long as I've been photographing with intention (since around 2006 with Sony camera phones), I've been drawn to photographing up close and intimate. This is a short series on… Continue reading How To Get Up Close And Intimate (Part III) – Macro Extension Rings

How I Keep Photography Simple (Digital Edition)

The reasons I photograph are very straightforward, whether I use a film or digital camera, an SLR or a compact. I wrote about this in more depth recently, but the short version is - to roam the English countryside, to feel the immersion of the moment and the whole world being in the viewfinder, to… Continue reading How I Keep Photography Simple (Digital Edition)

Redscale Film – How To Make And Shoot Your Own

One of the major reasons I love film is the experiments you can try that have no direct digital equivalent. Shooting redscale film is an excellent example. You've probably already seen redscale images, that look monochrome, but with a burnt orange red as the base colour rather than white. These photographs are obviously distinctive overall,… Continue reading Redscale Film – How To Make And Shoot Your Own