There are two routes to go with photography, especially when you're nearer the beginner end. The first is to get a camera, try it for a little while, then conclude it's not for you, sell it, and get a different one instead. This is probably fine once or twice, but if it starts to become… Continue reading The Myth Of The Perfect Camera (Why Familiarity Beats Compatibility)
Five Years Of Blogging And Beyond
35hunter's first post debuted in December 2015, five years ago, when I was deep into 35mm film photography. Five years later, I felt it might be a good time to reflect and review, ahead of the next phase - both in blogging, and photography. In terms of audience growth and interaction on 35hunter, I'm really… Continue reading Five Years Of Blogging And Beyond
The Allure Of The New (Not So New, Old, And Positively Ancient)
What is it about having something new that gives us fresh impetus and inspiration? With cameras, aside from those built into phones, I think I've only ever bought one brand new, a Nikon Coolpix back in 2011. This was a breakthrough purchase for me, being my first "proper" camera, after years of Sony Cyber-shot phones.… Continue reading The Allure Of The New (Not So New, Old, And Positively Ancient)
The Bare Minimum For Rewarding Photography
You might think the bare minimum for rewarding photography is obvious, especially since so many of us now walk around with a very capable camera in our phone these days. But despite trying my phone as my only camera a few times, it's repeatedly fallen short for the same reasons. Not much wrong with the… Continue reading The Bare Minimum For Rewarding Photography
The Purity Of Enjoying Art Detached From The Artist
When my main medium for listening to music was CDs, I enjoyed reading through the inlay booklet, plus other articles about the artist. It added some backstory to the music, gave it some context. The downside of this approach I think is that we soon form expectations. After finding an artist we like, then instead… Continue reading The Purity Of Enjoying Art Detached From The Artist




