One of the best tips I read when I was fully immersed in film photography was simply “shoot red”. The theory is that anything red looks pretty great when captured on colour film. And on the whole I found this to be very sound advice indeed. (Ironically, with digital, red is one of the hardest… Continue reading Film Photography Tips – Shoot Red!
Our recent conversations around grain and noise in photographs yielded some interesting offshoot topics. One of these was around the general standard of digital scans of 35mm film, and how the vast majority of digital images made from film negatives don't give a fair representation of the high quality possible with film, and just how… Continue reading Why Shoot 35mm Film in 2019?
My gradual shift from shooting film to digital was motivated by a number of factors, but a significant one was the size and weight of cameras. The digital compacts I favour these days give me results that are more than good enough, with the bonus of being very small and light. I can walk for two… Continue reading Why A Pentax Espio Should Be Top Of Your Compact Film Camera Wishlist
Some 30 months ago, my film camera collection was well out of hand. Obsessed with trying to find the perfect camera (or cameras - one DSLR, one compact), I managed to amass over 50. Many were near identical, either because they were siblings (for example seven of the 11 DSLRs were Asahi/Pentax) or because the… Continue reading To Those Remaining (Part 1) – My Film Camera Collection
There are still many myths around how much it costs to get set up with film photography. I want to shoot a few more down. A while back I wrote about how to start start film photography for £27. Based on at least two of the three rolls of film I've just got back from the… Continue reading Film Photography On A Shoestring